Archive: News | Reviews

Symphony Tacoma is fantastic with ‘Symphonie Fantastique’

With Ioannides at the helm, Symphony Tacoma pulled the feat off flawlessly.
 

Through it all, Ioannides used her whole frame to channel the music on the page and to conduct it to the musicians of the orchestra. Her body, her hands and her facial expressions were constantly in motion, as she transmitted the music to the musicians who in turn brought it to life with their various skills.

Symphony Tacoma performs their concerts with professional confidence that is duly appreciated by the audience, expressed in multiple standing ovations. It is always a thing of value to experience great music played by great musicians.

 
 
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Guest Conductor Shows Off Strengths at Arkansas Symphony Orchestra Concert

On the mind of many in the audience at Saturday night’s Arkansas Symphony Orchestra concert at Little Rock’s Robinson Center Performance Hall: Is Sarah Ioannides’ guest-conducting gig this weekend a tryout for the orchestra’s pending podium vacancy? If so, she could not have had a more auspicious audition.

Music Director Philip Mann advocates using guest conductors, at least one per season, as a way of keeping the orchestra sharp, exposing the musicians to different styles and different techniques and strengthening the musical organization thereby. Ioannides, music director of Symphony Tacoma, certainly did that for this orchestra with some fierce orchestral showpieces, and the players came through with flying colors.

She led, sans score, a gorgeous rendition of Edward Elgar’s “Enigma” Variations, evoking a fine ensemble performance with several starring solo parts. Slightly longish breaks between many of the 14 variations allowed the audience to see each as a finely crafted gem while preserving the overall integrity of the piece.

Ioannides’ style differs markedly from Mann’s; her gestures are expressive and forceful, and there’s no chance the orchestra might misinterpret any of them.

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