By Diane Peterson, The Press Democrat
The Santa Rosa Symphony has announced its 2018-’19 season, which will welcome new Music Director Francesco Lecce-Chong for three out of the seven concert sets and bring back Conductor Emeritus Jeffrey Kahane and outgoing Music Director Bruno Ferrandis to conduct the final two concert sets.
Feb. 9-11: For this unusual “Love Letters” program, guest conductor Sarah Ioannides, music director of the Symphony Tacoma, will lead works that celebrate the love between a pair of well-known female and male composers. Fanny Mendelssohn Hensel’s delicate Overture in C major provides the foil for brother Felix Mendelssohn’s stirring Symphony No. 3, “Scottish.” Meanwhile, Clara Schumann’s passionate Piano Concerto, performed by Anne-Marie McDermott, is paired with husband Robert Schumann’s poetic “Manfred” Overture.
By Chrstian Carvajal of The Weekly Volcano
Since before her first album in 1985, Henson-Conant has been broadening her repertoire to include a variety of styles from Irish traditional to highbrow heavy metal. She plays the instrument she commissioned and helped design, an 11-pound sound machine named for her: the CAMAC DHC Light Blue electric harp. The origin of that custom-built instrument is the subject of her recent TED Talk. She earned a Grammy nomination for Best Classical Crossover Album for the soundtrack to her 2006 DVD, Invention & Alchemy.
Her upcoming appearance with Symphony Tacoma falls on Earth Day, so Henson-Conant seized on that opportunity to feature songs about the earth and our place in it. She sees her own role — in this case, in front of an orchestra — as a symbolic bridge between the individual human and her planetary community. She notes the organic construction of many classical instruments, which ties their resonant personalities to the natural world and reminds us yet again of our interdependence within it.